·
Title:
Man of Steel
·
Director:
Zack Snyder
·
Date:
2013
·
Studio:
Warner Brothers
·
Genre:
Fantasy, Action, SF
· Cast: Henry Cavill, Amy Adams, Kevin Cosner, Diane
Lane, Russell Crowe, Laurence Fishborne, Christopher Meloni, Michael Shannon
· Format: Color, Widescreen
· NTSC, Region 1
"Can't I just
keep pretending I'm your son?" – Young Clark Kent
"You are my
son. [long pause] But somewhere out
there you have another father too, who gave you another name. And he sent you here for a reason, Clark. And even if it takes you the rest of your
life you owe it to yourself to find out what that reason is." -- Jonathan Kent
"For 100, 000
years our civilization flourished, accomplishing wonders." – Jor-El
"What
happened?" – Clark
"Artificial
population control was established, the outposts and space exploration were abandoned. We exhausted our natural resources, as a
result our planet's core became unstable.
Eventually our military leader, General Zod, attempted a coup, but by
then it was too late." – Jor-El
"The people of
Earth are different from us, it's true.
But, ultimately, I believe that is a good thing. They won't necessarily make the same mistakes
we did, not if you guide them, Kal. Not
if you give them hope. That's what this
symbol means. The symbol of the House of
El means hope. Embodied in that hope is
the potential of every person to be a force for
good. That's what you can bring
them." – Jor-El
Man of Steel starts on Krypton with Jor-El and
Lara insuring the survival of their son, when their planet is about to be
destroyed. The background on Krypton,
and the exact means of its destruction will also be expanded upon, during
encounters between an AI hologram of Jor-El and others – including Clark, Lois
Lane, and even General Zod. But I'm
getting ahead of myself. After
introducing us to Jor-El, Lara, the Kryptonian government Council, and Zod and
his coup – which fails, as well as the launch's escape from Krypton and
Krypton's destruction – Man of Steel
actually skips forward a bit.
We see a lobster harvesting ship, and a young man everyone
calls "Greenhorn". Only from
the trailers do we realize this is Clark Kent.
The ship receives an SOS from an burning oil rig. When they arrive, the Coast Guard has
declared the rig a lost cause and the lobster ship's captain says the guys
inside are dead already. Clark leaps
into the water, gets the men to the rig's deck that's still somewhat free of
flames, and they are rescued by the Coast Guard. Clark ends up falling into the water below
the flames.
The film flashes back to Clark being overwhelmed by his
senses as school. His mom helps him to
focus.
The film flashes forward to Clark – he's awakened below
water by whale song, then gets to shore and borrows some dry clothes.
The film flashes back to a slightly older Clark on a school
bus, where he's being bullied and taunted by school-mates. The bus has a tire blow-out, loses control,
goes through a guide-rail and lands in a river.
Clark pushes open the back door, then lifts the bus to safety on the
shore. Some of the kids have seen what
happened.
One of the parents confronts the Kents. Jonathan Kent tells Clark he can't use his
powers. He shows Clark the space ship
and gives the S-shield key to Clark. He
explains that Clark has another father out there, somewhere, who sent Clark to
Earth for a reason, and Clark should strive to find out who his father was and
what the reason may be.
The film flashes back to the present. In a rough and tumble bar, one of the oil
workers harasses a waitress. Clark tells
him to stop it. The customer throws a
beer in Clark's face and taunts him. The
waitress tells Clark it's not worth it.
Clark walks off. The guy throws a
can at him and hits him in the head.
Clark walks down a highway, carrying a bag, and
hitch-hiking.
Lois shows up to investigate an "anomaly".
Clark finds a Kryptonian ship buried in ice that's over 18
thousand years old. He uses the S-shield
key to deactivate the automatic security system. The key is an command key. Lois also follows Clark and gets attacked by
the security system – Clark uses his heat vision to cauterize her wounds.
The ship departs.
Lois narrates her story but Perry won't print it. She gives the story to a conspiracy theorist
website.
Meanwhile, Clark meets an Artificial Intelligence-hologram
of his father, Jor-El. Jor-El gives his
son, Kal-El a lesson is Kyptonian history.
They had expanded across the galaxy, built outposts, even terraformed planets. Then the empire withdrew back to Krypton,
abandoned its outposts and space exploration, began using genetic engineering
to predetermine everyone's role in society, and eventually exhausted Krypton's
resources. This lead to mining of
Krypton's core, which caused the core to collapse and the planet to explode.
Jor-El and his wife Lara sought a different path. They risked much to have a natural birth, the
first in generations, and when Krypton's doom was nigh, they put Kal-El in a
spaceship with the Codex of Krypton's citizens and sent the ship off, towards
Earth.
The film flashes back to a teen-aged Clark, who wants to be
something greater, something more than a Kansas farmer, like Jonathan
Kent. He's arguing with his father, when
a tornado hits on the freeway. Thanks to
Jonathan's actions, most everyone gets to shelter, but he, himself, ends up
trapped in a car (after freeing their dog).
Clark goes to rescue Jonathan, but Jonathan yells at him to stay with
his mother.
Clark goes home to visit his mother.
General Zod shows up and gives Earth an Ultimatum – turn over
Jor-El or face the consequences.
Another flashback, as Clark remembers being bullied and
conversations with his Dad about not reacting to the bully.
Back in the "present", Clark turns up at an army
or air force base, and offers to surrender if he can speak to Lois and if the
military guarantees her freedom.
There's another flashback/dream sequence of Zod's
history. Zod explains how the
destruction of Krypton released him and his fellow insurgents from the Phantom
Zone. They retrofit a ship with hyperdrive
and search for Kal-El. Not finding
anything on Krypton's old outposts for thirty-three years, they pick up a
signal from the scout ship that was sent automatically when Clark entered it.
Zod's plan is to take the Codex and then use a World Engine to terraform Earth
into New Krypton. This will, of course,
destroy every living thing on Earth.
Lois and Clark are taken by Zod, and put in cells on Zod's
ship. They are tortured and experimented
upon. Lois, however, has the command key
– and when she uses it, Jor-El appears to her and guides her through what she
has to do.
Clark manages to escape from Zod's ship, and rescues Lois –
who's escape pod has been hit by weapons fire and is spiraling out of control
towards the ground. But Clark rescues
her. Zod, his female lieutenant, and his
other cronies attack Martha Kent and do considerable damage to her house. Clark and Zod have a show down on main
street. But before they can re-play High Noon, the military arrives and in
trying to shut down Zod and company make things worse.
There's a massive battle between Zod, Superman, Zod's lieutenant,
the military, and Zod's forces. Needless
to say, Smallville, Kansas doesn't fair well.
Eventually, Zod and company leave.
But, Zod orders the release of the World Engine. Having discovered that Jor-El bonded the
Codex to Clark's cells – and that it's recoverable whether Clark is alive or
dead, Zod will use his machine to terraform Earth into New Krypton, kill
everything on the planet, and take the Codex from Clark's corpse.
Lois and Clark bring his capsule ship to the army, and he,
Lois and Col. Hardy explain how the capsule can be used to destroy Zod's
ship. Superman will go to the second
site and destroy the other half of the World Engine terraforming machine in the
Indian Ocean.
The plan basically works, though Zod survives and Clark has
to fight him. Eventually, Superman kills
Zod.
I thought Man of
Steel was better on second viewing,
than when I first saw it in the theater last Spring or Summer. The film works best in it's quite moments –
Lara and Jor-El on Krypton trying to save their child, Clark talking to his
father – Jonathan Kent, and Clark learning from his other father – Jor-El. But, at times, some of the action sequences
seem overblown and thus almost boring.
They can just be too much and too long.
I also found the constant flash backs and flash forwards to be somewhat distracting. Not that I never knew "when" I was –
that was perfectly clear, but I think the film would have worked better if it
was presented in chronological order, or largely chronological with only the tiniest
of shots back to scenes we had already seen.
I think it would have made Clark a stronger and more interesting
character, and the audience would have been able to follow his journey – and route
for him more. I also think some of the
action sequences could have been trimmed a bit, there's only so much CGI of
collapsing buildings and flying cars that one can take. The cast was good. Henry Cavill made for a more vulnerable take
on Clark Kent, and the surrounding cast of experienced actors made the film work. Russell Crowe, Diane Lane, and Kevin Cosner
were all brilliant as Clark's parents.
Recommendation: See It
Rating: 3.5 to 4 Stars
Next
Film: Not sure, probably Star Trek: Into Darkness.
No comments:
Post a Comment